If your season is La bohème, Così fan tutte and Faust, you are choosing not to overtly engage in more challenging, and perhaps relevant, discussions.” The stories you are telling are political. Marc Scorca explained: “What you stage is always political. The field may see “time travel opera” and works that are less risky at the box office as apolitical, but in fact this curation is a form of political choice. In reality, opera producers are weighing the costs and benefits of audiences and donors with differing political viewpoints. There are stories that certain communities will identify with on a very personal level, and others that will challenge the sensibilities of longtime opera lovers. These programming choices do not happen in a vacuum there are opportunities to foster important discussions and build mutual understanding. Opera leaders make choices about the stories that are shared with audiences.
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